1984 - "Eyes Without A Face" - Billy Idol

"Eyes Without A Face" is two tremendous songs for the price of one. 

The first half sees a chill Billy Idol crooning a ballad, with no screaming nor squealing guitars in sight. The synths are dreamy and laid-back.

One of the best hooks of the decades, I've always loved the female vocals leading into the chorus. The angelic "les yeux sans visage" harmony literally translates the track’s name, and encouraged me to translate other pop singles of the day into French. 

The second half is a complete 180 turn. 

Kicking in around 2:25, the minute-plus breakdown features a Steve Stevens' guitar riff slashing through Billy's road trip bender lyrics  about his nomadic bus tour reading murder books whilst trying to stay hip.

Billy returns to do his best Sinatra impression to wind up the power ballad.

Other favourites from 1984: 

"It's My Life" - Talk Talk

"Wouldn't It Be Good" - Nik Kershaw

"Relax" - Frankie Goes to Hollywood

1983 - "Wrapped Around Your Finger" - The Police

As a young teen I'd always been mesmerized by "Wrapped Around Your Finger" by The Police. I still am, decades later on headphones. Hypnotic.

The magic of Sting's melodic and lyrical prowess, Andy Summer's sparse guitar and Steward Coupland's intricate drum work all reach new heights on this textured tune.

From the lighting of the first candle, the video had always entranced me. 

The obscure literary references in the verses made me flip through the encyclopedias as Sting found a creative way to weave in such words as apprentice, Charibdes, Mephistopholes, tuition, fruition, and from the iconic bridge, alabaster.

And what a bridge! It never fails to give goosebumps. Both lyrically and musically, the tune picks up the tempo when the tables are turned on the master and servant relationship dynamics in question as "You'll be wrapped around my finger". Captivating stuff.  

The simple "I'll be wrapped around your finger" chorus shimmered. The synths are hauntingly beautiful.

Decades later, I still dream of knocking all those candles down at the end of the video like Sting did when he channeled the 'boy inside the man'. 

Fave lyric: "Devil and the deep blue sea behind me".

Other favourites from 1983: 

"Major Tom (Coming Home)" – Peter Schilling

"Blue Monday" – New Order

"In A Big Country" - Big Country

1982 - "Rio" - Duran Duran

Those of us in junior high will remember the playful decadence on display in this cutting edge video. What sometimes gets lost in the shuffle is that the fab five played the instruments and wrote the songs. "Rio" sports one of the catchiest bass lines of all time.

"Rio" hooks us in with the grandiose intro before giving way to a bouncy, maniacal John Taylor bass line and Andy Taylor's timely guitar riffs, setting up the iconic singalong chorus about the mystical Rio dancing on the sand. The song changes gears a few times, including an amazing sax climb before the last chorus.

Back to Rio: does she really exist? 

Well, yes...as a metaphor. 

According to SongFacts, Duran Duran explained on the VH1 show True Spin that Rio is a metaphor for America, and the song expressed their desire to succeed there, which they of course did.

I'd always thought LeBon said "...evidently run you down... in the lyrics during the bridge : "Hey now (wow) look at that did he nearly run you down. Before Google we experienced dozens of similar examples. 

"Rio" is still a favourite at Duran concerts, and often during an extended version when Simon LeBon introduces band members to the audience. I was fortunate to have seen it played in the encore of their 2011 gig at Montreal's Bell Centre.

Other favourites from 1982: 

"Pale Shelter" - Tears For Fears

"Gypsy" – Fleetwood Mac

"Africa" – Toto

1981 - "Urgent" - Foreigner

We were on the cusp of the video revolution in 1981. Although classic rock still dominated the radio, new wave tunes were edging up the charts. "Urgent" is a sort of hybrid: a rock tune embracing the synths. The track oozes confidence: the guitars, the sax solo, the keyboard riff, the vocal delivery. 

Maybe it was puberty knocking on the door, but I loved the bloated machismo. The pulsating intro. The irresistible beat. Lou Gramm's vocals about an impending hookup. The unrelenting sax solo. 

It still holds up after all these years; the track is still a solid addition to any road trip playlist.

I believe I was introduced to "Urgent" on the K-Tel album compilation Hit Express which also featured Loverboy, Journey and the like. I didn't realize until much later that it was a young Thomas Dolby playing the keyboards (recall "She Blinded Me With Science"?).

Other favourites from 1981: 

"I Can’t Go For That (No Can Do)" - Hall & Oates

"The Sound of the Crowd" – The Human League

"Under Pressure" – Queen & David Bowie

1980 - "A Forest" - The Cure

The kids in our neighbourhood used to build forts in the woods behind the trailer park. We also played Big Foot along a partially cut path that we coined the Bogeyman Trail. This song captures that feeling of being chased into the trees. The bass dangles and the guitar jangles, creating over-the-shoulder glancing and a feeling of unease.

After having bought the "Standing On A Beach" singles collection in the mid-80s, "A Forest" was the song that hooked me on The Cure, making me double-down to explore the rest of their deep catalogue. 

A former all-time favourite, I no longer binge listen to it. Brooding guitar, ominous bass and haunting keys all build a relentless atmospheric tension. Years later, it would have fit right on the soundtrack for The Blair Witch Project. 

This is a song best enjoyed in solitude, cranked up high on headphones or on a stereo with a good set of speakers.

By the time the second verse is over I'm totally gripped, lost inside a dream inside my head. The throbbing bass, the pounding drums and the synths are all working overtime. 

Fave lyrics: "The girl was never there, it's always the same, I'm running towards nothing again and again and again..."

Below is a video of an almost 14 minute long live version from The Cure's Wish tour in 1992. It's far and away my all-time favourite live version of any song. I love how it builds then quiets down only to build back up again (and again and again....). Robert Smith even gives us a bonus, an extra verse as a sort of second bridge before the tune explodes for the grand finale. 

I can listen to it again and again and again...

Other favourites from 1980: 

"Echo Beach" – Martha & the Muffins 

"Don’t Stand So Close To Me" – The Police 

"Sailing" – Christopher Cross